[...]/> (socialities, identities, dream worlds, bodily states, public feelings are not simply “good” pr “bad” but always) both powerful and mixed

the talk, once set in motion, expands into a بیشه thicket of stories and social maneuverings
(a scene in a restaurant becomes) maze of inspirations and experiments ♥
-“her brother's stories are shell-shocked and they have no endings. they leave you hanging”

singularity of the event ==> a “we” of all sorts opens in the room

chance event ==>
•a layer of conflict
•a daydream to things


...tuned in to some little something somewhere


“in a video that blankly records an arresting image, young embodiments of a mainstream in the making come face to face with an otherness that compels a closer look. the order of representation gives way to a more violently affective contact”
Stewart

force of things --> what counts as an event

a politics of being/feeling conected
a politics of ways of watching
a politics of waiting for something to happen
a politics of difference (of habit and dull routine)


childhood coming back [to you] as shocks of beauty

graphic stories prompted by the seemingly simple work of remembering:
•kinship ties
•married names
•stories of alcoholism
•stories of accidents
•stories of violence
•stories of cancers


[*]potential: fleeting and amorphous, it lives as a residue or resonance in an emergent assemblage of disparate forms and realms of life; a thing immanent to fragments of sensory experience and dreams of presence --engenders--> attachments or system of investment...

(people are) collecting found objects snatched off the literal or metaphorical side of the road

...................................

Yazid: the archetypal tyrant of islamic memory

...a shift from thinking of Urdu as exclusively Muslim to thinking of Muslims as the custodians of a shared heritage that Hindus have forgotten, but have the potential to reclaim
-Anand --> how do we understand the islamicness of urdu poetry?

spread of [...] poetry far beyond the bounds of exclusively muslim identity

sufism as an everyday mode of speaking of and speaking to the self (not as an esoteric practice, or as institutionally bounded)
-it gives you a language to explore their interiority
-(traditions of self-scrutiny and self-reflection,) a poetry of self-knowledge + rebellion against social convention [+ frenzied violence (vahshat) --> Majnun: an intellectual articulation, literary elaboration, and social proliferation of the “mazhab of love” a dominant strand of sufi theology, ethics, and political thought in the Balkans to Bengal complex]

earlier mode of understanding X as irreligious
discourses that recognize X as islamic


Anand --> *indic nature of islam*
-islam is indexed within the lives of non-Muslim Indians through a form of stranger hospitality

many, besides muslims, have ongoing relations to islamic sacred objects
•embrace of the divine
•efflorescence of relations with nonhumans (snakes and cats)

(Naveeda on) Anand's mournful tone --> forces of restoration = forces of destruction

importance of shadows for an understanding of sensory experience, aesthetics, and divine order

(Naveeda asks for an) alternative approach to the islamic tradition besides the trope of light --Anand--> imagining a lived islam from the perspective of shadows

shadows as the (relational and individual) self
*ruin: draw visitors by making itself the inner rendered as the outer --> a traversal of one's inner self, otherwise hidden to oneself



perspective from the shadow --allows--> to think about tradition paradoxically (about *affective inheritances* in the constitution, transmission, and transformations of the islamic tradition)

Anand --> ****islam as identity =/= islam as inheritance****
islam as inheritance --Spadola--> like a river (#meander)

Anand --> *how older forms of knowing and being coexist and are constantly in conversation and contestation with more modern form*

...to reimagine the very definition and coherence of “discourse”

*(Foucauldian) archaeological work*: full of ruptures, disagreements, and reworkings ranging across an array of texts and conversations from contemporary to colonial records to hadith to eighteenth-century poetry

question of coherence = question of finding a grammar

difficult intellectual commitment to both contingency and coherence

(you can witnessed in Tehran a lot of anti-patriarchal, anti-hierarchical, and anti-identitarian)

[our challenge:] *to make ourselves literate* able to read what is currently illegible to us



Kant's notion of hospitality = translation of the sanskrit upanishads into persian by the mughal prince and philosopher Dara Shukoh (1615-1659)
--Ganeri--> hospitality towards texts and ideas?

*for an intellectual tradition to have the ability to show hospitality to an intellectual stranger*

-Shakry
what does it mean to think through psychoanalysis and islam together, not as a “problem,” but as a creative encounter of ethical engagement?
-how arabic intellectual world showed profound hospitality to Freudian thought
-how iranians showed profound hospitality to western philosophies --witness--> self-confident and enriching ethical encounter with a foreign system of knowledge

گورکانی pre-colonial mughal empire, inheritor of long and unbroken traditions of islamic and indic thought, (from a place of power, privilege, integration) welcomed the upanishads into dialogue with the conceptual world of tasavof

economic, military, and discursive powers of European imperialism ==> epistemological and ontological havoc they wreak on muslim forms of life

•to move back and forth between al-Ghazali (1058-1111) and Freud (1856-1939) <-- without any sense of swimming against the *gushing streams of empty homogeneous time*
•bringing the upanishads, from several hundred years BCE, into conversation with the Quran <-- unconstrained by the *teleology of linear historical time*
--> (my lecture-performances: being) inhabited a world of multiple temporalities {=/= teleology ==> linear time of progress, moving ever forward--teleology of time is central to modernity & question of the self}

many post-colonial projects shares that sense of a break from the past, which must now be recovered --✕--> sense of rupture and alienation was not (and is not) the only way in which the colonized responded to the colonizer

Shakry --> *plenitude of time and the persistence of traditions* + productive conceptual dialogue (~= ajayeb studies)
•to engage with the ethico-philosophical questions

intellectual and religious elite across the colonial Middle East and South Asia lived within a plenitude of time in which Freud and Ibn Arabi, separated by centuries, could productively speak to each other unconstrained by the borders of “tradition” and “modernity,” “religious” and “secular”
(Shakry ☞ Anand)

...................................

(Mufti ☞ Weber:) inescapability of calculation and instrumental rationality in a capitalist society ==> fundamental transformation of religious belief and practice in the transition to the modern social order
•“steel-hard shell” (stahlhartes Gehäuse), “iron cage” --provides--> range of possibilities for social action and social imagination

***modern intellectualist form of romantic irrationalism*** [in contemporary art within Europe --> #fables of: novelty, innovation, departure]
redemption from the rationalism and intellectualism of science --> craving spheres of the irrational (spheres that intellectualism has not yet touched) are now raised into consciousness and put under its lens
}= a method of emancipation from intellectualism

intensive social transformation in the postcolonial world
conditions of neoliberal global capitalism

[we have to see] disenchantment, necessarily open-ended and incomplete =/= self-consciously formulated projects of re-enchantment

[i have to be carefull with my] allusive evocation of the passing of secularity into obsolescence

my work with computre programming [...]